- Provenance
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To 1924
Yamanaka & Co., New York. [1]From 1924
Freer Gallery of Art, purchased from Yamanaka and Co., New York. [2]Notes:
[1] Curatorial Remark 1 in the object record. Also, see letter from Yamanaka & Co., New York dated July 22, 1924 in the Accession File, Collections Management Office.
[2] See note 1.
- Previous Owner(s) and Custodian(s)
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Yamanaka and Co. 1917-1965
- Published References
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- Sadajiro Yamanaka. To-so seikwa [Selected Relics of T'ang and Sung Dynasties from Collections in Europe and America]. Osaka, 1928-1929. vol. 2, plate 16.
- Capolavori nei secoli: Enciclopedia di tutte i popoli in tutti i tempi. 12 vols., Milan, 1961 - 1964. vol. 3: p. 68.
- The Encyclopedia of World Art. 17 vols., New York, 1959-1968. vol. 3, pl. 253.
- Osvald Siren. Chinese Sculpture from the Fifth to the Fourteenth Century: Over 900 Specimens in Stone, Bronze, Lacquer and Wood, Principally from Northern China. 4 vols., London. vol. 4: plate 565 B.
- Omura Seigai. Kakko zuroku. Osaka. No. 128.
- Grace Dunham Guest, Archibald Gibson Wenley. Annotated Outlines of the History of Chinese Arts. Washington, 1949. p. 7.
- Frank Forest Bunker. China and Japan. Philadelphia. p. 20.
- W. Aubrey Cartwright. Guide to Art Museums in the United States: East Coast, Washington to Miami., 1st ed. New York. p. 30.
- Agnes E. Meyer. The Charles L. Freer Collection. vol. 12, no. 2 Brooklyn, August 1927. p. 71.
- Martha Davidson. Great Chinese Sculpture in America. 1939 Annual, vol. 37, no. 22 New York. pp. 71-84, 174-176, fig. 26.
- Mary Augusta Nourse. The Four Hundred Million: A Short Story of the Chinese., 1st ed. Indianapolis and New York. p. 123.
- Rene Grousset. Chinese Art and Culture. New York. p. 152.
- Frederick and Hsiao-lan Mote. China, von der Sung-dynastie bis zur Ch'ing-dynastie. Berlin. p. 282.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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