Tableaux
Cixi with attendants in front of Paiyunmen, Summer Palace, Beijing, 1903
Cixi was an enthusiastic advocate of theater arts. She commissioned new libretti and updates of traditional dramas, and she organized a personal acting troupe composed of court eunuchs. In this group photograph, Cixi assumes a theatrical pose.
Love of Theater
SC-GR-251, detail
This is perhaps the most enduring yet enigmatic of Cixiâs photographic portraits. She gazes into a mirror while placing a flower in her hairâa pose that may represent her love of theater. A pivotal scene in the Ming dynasty play The Peony Pavilion features the heroine, Du Liniang, gazing at her own beauty in a mirror as her maid adorns her hair with a flower. In recorded versions of the play, this scene is strikingly similar to Cixiâs portrait.
Portraying Piety
Cixi with attendants on Zhonghai Lake, Beijing, 1903
In one series of imagesâtaken in the summer of 1903 at Zhonghai, a lake west of the Forbidden CityâCixi adopts the role of Guanyin, the Buddhist bodhisattva of compassion. She sits near an array of potted lotuses, before a painted backdrop of the Purple Bamboo Grove of Guanyin. Her attendants adopt the guises of the bodhisattvaâs attendants.
Cixiâs portrayal of herself as a divinity may seem egotistical to modern audiences. However, new research has shown that, at the end of the fifteenth century, some Chinese women dressed and styled their hair like Guanyin as a show of piety. Rather than trying to personify the bodhisattva, Cixi was participating in a popular act of devotion.
Broad Benevolence
SC-GR-243, detail
In front of Cixi is a bronze vessel with a slip of paper that states âNingshougongâ (Palace of Tranquil Longevity). Ningshougong was a complex built within the Forbidden City for the retirement of the Qianlong Emperor (reigned 1711â99) and later given over for Cixiâs use. As Cixi highly respected Qianlongâs legacy, the label was meant as homage to the late ruler.
Rising out of the bronze vessel is the character for longevity, stylized into a wisp of smoke. High-resolution scans reveal three previously unreadable characters on top of this one. Together the characters spell Guangrenzi, or âBroad Benevolence,â which was Cixiâs title conferred by a major Daoist temple in Beijing.
The theatrical references, political allegiances, religious titles, and symbols of longevity establish these scenes as more than casual photo shoots. Cixi was using the camera to record the values of the imperial court. The photographs also emphasize her own religious and political legitimacy during the courtâs final years.